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4 results found.

Climax Denial - In the Absence of Self Control LP ( Urashima: UMA93)
For over a decade, Climax Denial has been exploring a unique and evolving approach to the power-electronics genre. Beginning with his debut tape on Hospital Productions, and following with dozens of other sought-after releases: peerless in their stalker/submissive debauchery. Alex Kmet with his Climax Denial project practically bathes in its own urgent sexuality, stalking through each album with glassy eyes and a raging boner, just like the protagonists of all of those classics you are tempted to put away when mom/girlfriend/straight-job friends come over. In an age where many of his peers are doing their part to look beyond perverse sexuality, or perhaps expressing it in more poetic terms, Climax Denial rings true like the last of the old-school perverts, a man as terrifying as he is abject. In The Absence Of Self-Control is Climax Denial's first full-length LP and features all new material. Teasing with elements of dark ambient restraint, coyly manic vocals, and anxious industrial texture; we are presented with an unnerving composition of lovingly lecherous soundscapes.
‘'I've never consciously set out to become a ‘Power Electronics Musician' or whatever, it's just like I was saying before, I always want there to be some kind of context behind the noise. Most power electronics deals with exploring the dark side of human nature objectively, or confessing your own darknesses. I write about what I know. I just have to be honest. These things are what I'm into doing and this is what keeps me up at night and this is what turns me on. Mostly what turns me on! It was never a conscious attempt to change the genre. I've just done whatever I wanted to from the beginning, trying to avoid falling completely into any one category. It's sexual and emotional submission with fits of violence. It's the declaration of my self to fully experience the essence of the female sex. It's the severe depression and it's knowing I'm better and stronger than most other people for being able to see things the way I see them.'' Alex Kmet interviewed by Chis Sienko on As Loud As Possible magazine.
Lp has been pressed on 140 gr black vinyl with black label and black inner sleeve and comes in a deluxe silver silkscreen on black cardboard sleeve, limited to 99 copies w/insert in luxury 160 gr ivory paper. All package in a clear plastic sleeve to protect record Lp, cover and inserts from dirt, shelf wear and damage. $16.00

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Contrastate - No Eden With Annihilation LP/CD ( Tesco: Tesco109)
Active from the late 1980s through to the present day Contrastate follow up their last studio album “A breeding ground for flies” with this the sister release “No Eden Without Annihilation”. The tracks were performed live at various venues across Europe between 2012 and 2014. Theirs is a sonic soundtrack to an apocalyptic world that is hypnotic, yet still full of dynamic sounds and shifts. Their sound insinuates itself somewhere inside the dark ritual ambience of the electronic avant-garde shot through with a vein of experimental noise and sarcophetic vocals strewn amongst industrial surrealism. Contrastate, along other experimental acts from the 80's and 90's, have gone through something of a critical re-assessment of late. Their music has come to be understood on its own terms and nothing like them has really come to take their place. “Contrastate achieve an amazing equilibrium between organic sound and brooding electronics” – Heathen Harvest.. $14.99

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Coph Nia - A Prelude to Lashtal Lace LP ( Raubbau: Raub26)
Before appearing on Raubbau with a long-awaited full length album, Coph Nia mastermind Mikael Aldén serves us a scrumptious appetizer on a 12'' plate: one outtake, a radical remix and two b-sides are a classic satiable ep size serving for the vinyl gourmet. First up is the album's title track, a homage to Coph Nia's ongoing fascination with Crowleyan matters, an enchanting dark folk hymn in which the female backing vocals swell on slowly, before, after a moody break, the song plunges into full-on Hazlewood / Sinatra-style psychedelia. 'Mother of Songs' is a lesser known original, here as a slowly grinding goth tune with angelic choirs, while Joy Division's 'In a Lonely Place' is an undisputed classic, stripped to an even bleaker carcass of despair in the unique Coph Nia style. Finally, Michael Idehall's version of 'Lashtal Lace' replaces everything female, acoustic and romantic about the song with haunting atmosphere and industrial darkness. Appease your appetite quickly, the serving is scarce!. $8.00

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Crash At Every Speed - Vehicular Manslaughter LP ( Urashima: UMA117)
Crash At Every Speed is fairy long running high signal feedback based HNW project of Texas noise legend Richard Ramirez, started back in 2001. All of the projects work is themed around car crashers & road accidents. Vehicular Manslaughter is new full length work on vinyl and in forty minutes split on two sides Ramirez alternates between interlocking seas of uniformed crackling static & burst of off-pattern static based noise making with urgent jittering trails, distant/buried ‘n’ churning radio like harmonic squawking / baying pitches, more rapid lines of crackle, & split stereo channel static crackle. The record has been pressed on 140 gr black vinyl with black label and black inner sleeve and comes in a deluxe silver silkscreen on black cardboard sleeve with artwork of car crashes, limited to 99 hand numbered copies w/insert.. $10.00

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